Purple Sauerkraut

At the farmer's market yesterday, there weren't any green cabbages, just purples, so I loaded three large ones onto my bike and pedaled away. I pedaled remarkably slowly, though, because I'd also strapped two dozen eggs to the rear rack, and every time I went over a bump all twenty-four eggs made a threatening rattle. By the time I got home, I'd imagined about twenty-four terrible ways my eggs could break, leaving me lump-throated in the middle of the street with eggwhites dripping down my cold, bare knees.

Ordinarily, I'd put everything into my pannier, where it would be somewhat cushioned from the bumps, and I could ride away swiftly. But I'd thought the market would be closed by the time I got off work, so I'd left my pannier at home. I'd also thought the sun would still be shining, and the air temperature would be within ten degrees of the temperature when I left the house. But San Francisco reverted, and darkness was upon the face of the deep, and the Spirit of Fog moved upon the face of the waters. And the hem of my gown was above my knees.

Happily, the fog drove everyone away from the farmer's market, which meant that there were still eggs by the time I arrived! Along with many, many purple cabbages.

Most purple sauerkraut is treated specially, fermented with vinegar and spices (there is exactly such a recipe in The Lost Art of Real Cooking, in fact). But today I am just making plain sauerkraut and happening to use purple cabbage instead of green.

Purple Sauerkraut

Take three large heads of purple cabbage, rinse them, and peel off the outer leaves until you get to the shiny part. Quarter one of the heads and cut out the core. Slice each quarter into fine slivers and put them in a large bowl.

Add a tablespoon of sea salt and knead-squeeze-punch the cabbage vigorously until it breaks down and forms juice. Dump the kneaded cabbage and its juice into a one-gallon crock. Repeat with the remaining cabbages, using a total of 3-4 tablespoons of salt.

When all the cabbage is chopped and kneaded and put in the crock, press down on the chopped cabbage to submerge it beneath the juice. Clean the sides of the crock of any stray pieces of cabbage (cabbage exposed to the air will mold), and find a plate that just barely fits down inside the crock. A large jar might also work.

Put the plate upside-down directly on the surface of the cabbage, and press down on it to bring the juice up. Set a weight on top of the plate -- a jar full of water will work. Cover with a cloth and secure it with a rubber band. Set it somewhere warmish and out of the way, and check on it from time to time. Depending on the temperature, the kraut may be ready in just a few days, or it may take a couple of weeks. When it smells delicious and tangy, repack it into jars and put it in the fridge. Once it's fermented and refrigerated, you don't need to worry about it molding on top. You can eat it right away, or age it for a month or more in the fridge.

The color of the kraut will fade as it ferments, becoming more pink than purple. The purple will also eventually fade from your fingernails.

Beer Braised Lamb

Do you find that you only talk about recipes you hardly ever make? This is the third time this month that we're having beer braised lamb, and yet, all I've talked about are things like doughnuts that I eat about twice in three years.

The weather certainly has something to do with how frequently I put bony chunks of meat in a pot and simmer them all afternoon. I'm wearing sweaters and cats, see. The rest of you who are eating salad and peach ice cream can just save this recipe till your winter comes along.

You can use any properly bony cut of lamb for this dish, which is why it's economical. Things I have tried that work well: lamb neck pieces, lamb ribs, miscellaneous "bone-in stewing lamb," and lamb shanks. Shanks tend to be a bit spendier and frankly I don't know why, when lamb ribs are so much more unctuous.

Beer Braised Lamb

This recipe feeds two people with the possibility of some leftovers.

Take a pound of bony lamb, rinse it, and put it in a large heavy pot. Add a couple of sprigs of rosemary, a roughly chopped onion, plenty of salt and pepper, and the better part of a bottle of strong, sweet beer.

Cover and bring to a gentle simmer. Simmer at least four hours. During the last hour or so, check the level of liquid in the pot. If it's still deep and thin, let it simmer uncovered for a while. As the beer reduces, it will thicken and caramelize into an unctuous sauce. Yeah, I like that unct.

Note: if you double this recipe, don't double the beer! More meat in the pot will make the liquid level higher anyway, and if you add more beer it won't reduce and caramelize in time.

Doughnut Bread Pudding

You're right. Nobody ever has too many homemade doughnuts just sitting around waiting to be made into doughnut bread pudding. Nor would I ever dream of recommending that anyone make doughnuts just for turning into bread pudding. But should the unthinkable occur, consider that doughnut bread pudding is nothing other than a good rich dough, fried in lard, glazed, and baked in a custard; i.e., sublime.

For my cookbook release party on Thursday, Mama and I made eighty-odd doughnuts according to the directions for overnight-risen potato doughnuts in the book.

Half we glazed with the standard glaze, and half with the maple glaze (this time I browned the butter in the maple glaze recipe, a charming variation).

We only brought a dozen back home, and those quickly dwindled to half a dozen. But after a day or two, the unthinkable happened: the doughnuts ceased to be perfect. And a doughnut that is anything less than perfect really has no reason to exist. So I made bread pudding.

Doughnut Bread Pudding

Preheat the oven to 350 degrees. Slice six or seven stale homemade doughnuts in half like bagels and place them on a rack. Put them in the oven until they're lightly toasted, flipping them if need be.

Meanwhile, beat 5-6 eggs in a large bowl. Add a teaspoon of vanilla, half a teaspoon of salt, a grating of nutmeg, a few tablespoons of maple syrup (inversely proportional to the amount of glaze on the doughnuts), and a quart of rich milk. Beat well.

Pull the toasted doughnuts from the oven and let them cool. Butter a 9 x 13" baking dish. Find a slightly larger roasting pan to use as a water bath, and bring a kettleful of water to a boil.

Arrange the doughnut halves in the buttered baking dish and pour the egg mixture overtop. Let the doughnuts soak in the custard for 15 minutes or so, turning them to sop it up on all sides. When they are nicely soggy, cover the dish with tinfoil and place it in the larger roasting pan in the oven. Pour hot water in the roasting pan about an inch deep. Bake 45-50 minutes, until the custard is mostly set, but still a bit runny in the middle. Let cool for half an hour and serve warm or refrigerate.

Upcoming San Francisco Events

The Lost Art of Real Cooking, good food, wine, and company: next week at two events!

On Thursday evening, I'll be at 18 Reasons with my co-author, Ken Albala, and our illustrator (my mother) Marjorie Nafziger. Wine and lots of good food -- Ken is bringing homemade salami, pickles, cheese, and bread. I'm bringing homemade doughnuts, butter, and koji pickles! My mother will have prints and cards of her illustrations available. July 22, 7:00-9:00 p.m. 593 Guerrero Street (just off of 18th Street). $5 for 18 Reasons members; $10 for non-members. 18 Reasons is a non-profit event space for the celebration of art and food. More about 18 Reasons.

On Saturday afternoon, I'll be at Omnivore Books on Food, again with Ken and Marjorie. We'll read and talk about the book in one of my favorite bookstores ever. It's entirely dedicated to cookbooks -- new, used, and antiquarian. July 24, 3-4 p.m. 3885a Cesar Chavez Street. Free. More about Omnivore. A write-up on SF Weekly.

Books will be available for sale at both events. I would love to see you at either one!

The Lost Art of Real Cooking (& Lacto-Fermented Jicama Pickles)

The Lost Art of Real Cooking is a real book! You can get it here.

Yesterday, I got off the train from Oregon and just like that, all of a sudden, I was a published author. I was also tired, smelly, grumbling at the fog, and oddly nervous.

Is it odd to be nervous about book releases? Particularly, cookbook releases? It's not like I've just published The Collected Love Letters of Thirteen-Year-Old Rosanna (which, incidentally, would be a longer book than I'd like to admit). But still, reading over this cookbook, I find myself thinking, "I said that? But it's so opinionated! How bold!" and I shiver. Not that I don't hold those opinions, of course. But I've had a bit too much practice actively suppressing my opinions in the short-sighted belief that they would only stir up contention if I uttered them. I was nervous. I sidestepped controversy, nodded and said "hmm." I was afraid of being engaged. And now, there's a permanent record of my cooking opinions, in a book! So I'm nervous.

If only I had so actively suppressed my romantic opinions at the age of thirteen.

Certainly it's not very odd to be nervous about live radio interviews. Can you conceive of something more nightmare-and-fever-inducing to an introvert than a live radio interview? It's like talking on the telephone. Times a billion. Of course it's always worth it afterwards, when I'm glowing in the knowledge that the gracious interviewer was actually interested in my book and what I had to say, and that there were many stupid things I could have done and said but didn't. Then I play the interviews back, and notice how my voice sounds so girly and breathless, and wish all over again that I were one of those people who can be effortlessly warm and funny at once.

Like Ken, my co-author. You should listen to an interview he did for Good Food on KCRW today. You can find it here, sometime in the future when it airs.

Now I'm wondering if I'm supposed to confess this timidity, or not! I should be bold and forthright, shouldn't I?

Here's something decidedly bold: jicama pickles! I've only ever had vinegar-pickled jicama before, but it was good enough to convince me that lacto-fermented jicama pickles would be sublime. (It is one of my opinions that lacto-fermented pickles are superior to their vinegar equivalents.)

It took them almost a month to ferment at cold room temperature, but as soon as I got back from [sigh] Oregon, I stuck my nose in the crock and was rewarded with the beautiful aroma of mature lacto-fermentation. They had a little mold growth, which I skimmed off before ladling them into a jar for refrigerator storage. They're delicious right now -- snappy crisp, briny -- but I know they'll only improve as they age in the fridge.

There is one problem. Jicama is a starchy vegetable. The starch from the cut jicama has dissolved into the brine, turning it milky and unpleasantly viscous. Perhaps I should have rinsed the jicama very well after I cut it, to wash off its external starches. Without trying that method, I'm suspicious that more starches would have simply seeped out during fermentation. Or perhaps I should rinse the pickles now, before serving. But that makes me sad, because usually I treasure the brine nearly as much as the pickles (there's nothing like brine in a salad dressing!). Perhaps after I eat the pickles the starches will settle, and I can decant or siphon some clear brine off the top.

Jicama Pickles

Take two or three large jicamas. Clean and peel them and cut out any bad spots. Cut them into sticks about 1/4" wide. (Here you might try rinsing them.) Peel several cloves of garlic and pick the stems from a couple of dried chilies. Pack everything into a medium-sized crock. Mix a tablespoon of salt with a cup or two of water. Pour the water over the cut jicama just until it covers it. Place a clean, flat-bottomed weight inside the crock on top of the jicama. A half-gallon jar filled with water works well, depending on the size of your crock. The closer your weight comes to the edge of the crock, the better (air exposure = a place for mold to grow). Cover everything with a tea towel or layered cheesecloth to keep out bugs, and secure with a rubber band.

Put the crock in a dark, warmish place. Here in San Francisco, that means the cupboard over my refrigerator. If you're anywhere else that actually has a summer, you should probably seek out a relatively cool place. For the next few weeks, check on your pickles every so often. Skim off any visible mold and let them ferment until they start to smell like pickles. Transfer them to a quart jar, pour the brine overtop, and refrigerate. You can eat them now, or let them keep curing. They will only get better.

Slow Bread

Lately, I've been making Slow Bread. It's the bread I make when I've neglected my sourdough starter, but I want the deep flavor and chewy texture of a long, slow fermentation. The idea is simple: long, cold rising encourages flavorful lacto-fermentation, instead of astringent yeasty-flavored alcoholic fermentation. I positively detest the flavor of over-yeasted bread.

Slow Bread is also very convenient for the work week. I can mix it up before bed, knead it down just before I leave for work the next morning, and shape it into loaves when I get home. You can even let it go for a third rising in the bowl before shaping it -- so long as the weather's not too hot.

About that weather. I've been wearing wool for a week and my hands are growing bony with the cold. The cats have cabin fever and quarrel over my lap. It's deathly still for a moment and we are so stuck, so trapped, so entombed in this wretched fog. It's only June, but my heart quails at the thought of another horrid mummified summer on this godforsaken peninsula.

I suppose it's clear that my distaste for this weather is not unmixed with a certain macabre fascination. I like to take long walks among the shrouded eucalyptus trees, and I'm grateful when I don't have to see all the sunny-day people. But a macabre fascination in no way makes up for missing out on summer. And the summers I miss are not even golden breezy affairs, but sickly hot things spent working in the orchard with gnats up my nose and peach fuzz adhering to my sweat.

Well, if you have that sort of summer, you should let this bread rise in the springhouse or down in your basement.

Slow Bread

The night before baking, put 1/8 to 1/4 tsp. yeast (depending on how cold it is) in a quarter-cup of lukewarm water. Stir 2 T. salt into another half-cup of water.

Put twelve cups flour in a bowl. For all my bread these days, I use coarse, freshly ground spelt flour.

When the yeast is dissolved, add it and the salt to the flour. Add a couple of cups of water, and stir well. Keep adding water -- a bit at a time -- until all the flour is moistened. I would give you better measurements, but the amount of water you need will vary widely depending on your weather and the flour you've got. It should be soft but still bouncy. Knead the dough well, form it into a smooth ball, and place it in a large oiled bowl to rise in a cool place. Cover it with tea towels.

In the morning, it should be risen and bubbly. Knead it gently back into a taut ball, and leave it to rise again, still in a cool place. When it has risen high and its top has started to look not taut, but puckered, you can either knead it down and let it rise once more in the bowl, or shape it into loaves.

To shape the loaves, cut the dough in two. Shape each half into a taut ball, and let it rest in the bowl or a floured tabletop for ten minutes or so, to the give the gluten a chance to relax again. Oil a large baking sheet or two loaf pans. Take each ball of dough and tuck two opposite sides down and under, keeping the top of the loaf smooth and taut while letting it elongate. Place the shaped loaves in your pans or on the baking sheet and let them rise again.

When they are not quite doubled in volume (not height), still taut and springy, preheat the oven to 450. Place the loaves in the oven and turn it down to 350. Bake until they are well browned and hollow-sounding when tapped on the bottom, about one hour.

Henna, Paprika, and Hair: An Aside

This is not particularly relevant to food, but it concerns the color of my hair, which used to be the direct inspiration for the title of this blog. I'm sorry to go on a long ramble about a topic as trivial as my hair. Skip it unless you're genuinely curious about the vanities of a paprikahead.

For many years, I kept my hair a crimson color with the aid of henna (and paprika, for fun). Henna, it seemed, was made for my hair -- it turned my light brown locks a shimmery, glossy scarlet. Almost the color of blood, as you can see by direct comparison in this photo. Pure fun.

But then I grew uneasy at the thought that I was daily deceiving the world into thinking me a redhead. And I grew uneasy with the fiery brilliance, which was too bold for either my pale eyebrows or my usual mood. I also wanted to regrow my hair the way it used to be, having gotten tired of trying to be hip, ironic, coy, or anything other than the sober Pre-Raphaelite I am.

Ah, the way things used to be. I never seriously cut my hair before I was nineteen, when it flounced about my hips in fluffy waves of almost-brown. College, however, was not good for my hair. I blame the cafeteria diet and a double major in mathematics and English for the way my hair thinned after my freshman year.

One day I put it in a ponytail, braided the ponytail, and chopped it off. (I kept the braid in a drawer until some perfect purpose occurred to me, like making creepy braided jewelry of my own hair. But the house caught on fire before I ever did something with it). I felt a little dizzy at first, without my hair. But it made a nice bouncy bob, and a few months later I started coloring it red. Its length varied a little, according to my moods and boyfriends, but it never went much past shoulder-length.

Then, the December before last, I grew really impatient with my roots. The half-red thing was lame, but I didn't want to just chop off my hair. So, for the first (and, I expect, last) time in my life, I set foot in a hairdresser's shop. He was hesitant to mess with henna, which can interact with salon chemicals in funny ways. But, bless his heart, he was willing to try, and so he bleached out the red part and put in some brownish color more like my own.

It was some relief for a while, but after six months or so, the brownish dye faded, revealing the persistent orange-red of bleached henna underneath. In addition to failing to remove the henna, the bleach had destroyed my hair, leaving the ends a brittle, tangled mess. Grrr. If I had more patience and less pride, my hair would be healthier and longer right now, and I'd have kept my salon virginity.

These days, I occasionally put golden-brown henna in the ends of my hair to mitigate their bleach-orange color. But mostly, I just wait. Soon there will be no traces of my paprika color anymore, and I will have to content myself with being only a figurative paprikahead.

That's fine, because at twenty-five, my hair is now just a few vertebrae shy of my waist, and as thick as it was at sixteen. The thickness I blame on a real food diet that includes two pastured eggs for breakfast, cod liver oil, and at least a pint of raw milk every day. Or maybe it's just because I sleep at night instead of doing problem sets and editing the lit mag? Whatever it is, I'll keep doing it, Hair, if you promise to hurry up and grow. I have to catch up with Laura Ingalls and the Pre-Raphaelite contingent!